Studio Art

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Revival

I painted this in my beginning painting course in college. It was on view in the Huntington Art Gallery where it received a positive review in the Austin Chronicle.
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Rio Grande Gorge

I shot and painted this Taos mountain view for my advanced painting course in college. It remains unfinished to this day.
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Expressive Gaze

This was one of two facial study oil paintings I did for my advanced painting course in college. I used a mixture of oil and cold wax to achieve transluscent layers.
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Vulnerability

This was one of two facial study oil paintings I did for my advanced painting course in college. I used a mixture of oil and cold wax to achieve transluscent layers.
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Expansive Escape

This silkscreen print was for my serigraphy course in college. The end result was achieved using the hand-stop reduction method and compositing in photoshop.
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Desire

This acrylic painting was done for my beginning painting course in college.
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Huntsville Memorial Wall

I sketched these portraits one afternoon in a park in Huntsville, Texas.
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Classical Figure Study

This was a composite of different master artists, Michelangelo and Rubens. I arranged and drew these to create a dynamic Baroque style composition for a college drawing course.
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Life Drawing Study

One of many charcoal drawings I did for a life drawing course in college.
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Life Drawing Study 2

One of many pastel drawings I did for a life drawing course in college.
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Life Drawing Study 3

One of many pastel drawings I did for a life drawing course in college.
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Thinker

One of many charcoal drawings I did for a life drawing course in college.
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Couple Portrait

I was commissioned to do a portrait drawing for this couple.
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Decay

I did this silkscreen print for my serigraphy course in college. The end result was achieved using the photo-emulsion method of my own black and white photograph.
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Mitosis

This silkscreen print was done for my serigraphy course in college. The end result was achieved using the monoprint and ghost printing method of my own early 3D digital rendering.